Christophe Domergue is an Australian artist working with resin, pigment and fibreglass. His practice is defined by Peeling, a process he invented to lift and preserve the textures, markings and material history of urban surfaces, transforming them into abstract sculptural works.

Domergue’s work explores urban archaeology, memory, impermanence, decay and transformation. His Peelings document overlooked traces of the built environment, preserving physical fragments of place and repositioning them within a contemporary art context.

Born in 1975, Domergue holds a Master of Art from UNSW Art and Design. He was a finalist in the Archibald Prize in 2025 and 2026, and the Dobell Drawing Prize in 2023. Domergue has exhibited at major Australian institutions including the Art Gallery of NSW, Brisbane Institute of Art, Campbelltown Arts Centre, Gosford Regional Gallery, Blacktown Arts and Hervey Bay Regional Gallery, as well as internationally in Hong Kong and Dublin. His work is held in the Deakin University Art Collection and private collections in Australia and internationally.